You have a choice between two file types to listen to the parts of my concert. RealAudio streaming files are of the moderate quality, but the advantage is that you can hear them right away without downloading on either Dial-up or Broadband connection. Just click on the link. You will need a RealAudio player 8.0 or above if your computer doesn't have it yet. Get the latest version for free here. For much higher sound quality (224kbps) you can listen to the streaming MP3 files. Broadband Internet connection is required to hear them. For MP3 files you need to make sure to have Adobe Flash Player onstalled.
THE FOURTH PARTITA
Here are the little samples of what and how I played in my Senior Piano Recital on September 27th, 1998. The first piece was the Fourth Partita written by the Ukrainian composer Mark Karminsky. He lived and had been creating many of his works in Kharkov and I feel privileged that I had a chance to know him. I even premiered one of his works - "Novelettes for piano". He was a great person and very talented composer. Unfortunately he died of cancer in 1995. I thought it would be the right thing to do to present one of his works to the American audience in my Senior Recital. Now you can hear the whole partita in RealAudio and streaming MP3. It's a four movement piece.
1. Carnevale. Allegro molto articolato:
2. Pietoso. On the front page of this movement Karminsky put this quote from Goethe: "Reminiscence triumphs over despair". Allegretto amabile:
3. Largo. Largo placidamente:
4. Risoluto. Vivacissimo risoluto:
KREISLERIANA, Op.16 (1838)
The second thing in my program was Schumann's Kreisleriana. That's one of his best works for the piano. It contains eight movements. You can hear some parts of my performance of this work below.
The second movement. Intermezzo II, Etwas bewegter (Poco piu mosso):
The third movement. Erstes Tempo (Tempo I):
The fourth movement. Bewegter (Piu mosso):
The sixth movement. Sehr langsam (Lento assai):
The seventh movement. Sehr rasch (Molto presto):
The eighth movement. Schnell und spielend (Vivace e scherzando):
B MINOR SONATA (1854)
The last and the biggest piece in my recital was the most monumental work ever written by Liszt for the piano - his B minor Sonata. It's a one movement piece, lasting for about 30 minutes. Because there's only one movement I'll be mentioning below the page numbers, according to the "Edition Peters" Nr. 3611 edition. The whole Sonata is 35 pages long in that book.
The first lyric theme. Cantando espressivo:
A dolce place going through accelerando into craziness:
Another loud fff place transforming into pesante and landing on the Recitativo:
This time the lyric theme changes the key and is extremely quiet (ppp). This is Quasi Adagio dolcissimo con intimo sentimento that eventually ends up in a wild and passionate culmination full of marcatissimo:
This part comes after the above mentioned culmination. This is one of the most quiet places in the whole sonata. It's very intimate and dolcissimo, mostly on ppp. However it's not going to last. It's like a calm before the storm. Signs of warning come with the devil's theme entering slowly but surely:
This is the famous Fugue Allegro energico. It develops into another culmination and then turns into the theme that was used in the beginning of this sonata:
Nobody likes to make mistakes. However, nobody's perfect. But if we do make a mistake it should really be a mistake for all 100%. At least I think so for the errors in the musician's profession. It should be like a fountain of the wrong notes, really effective and in the improvising manner :). But there's one rule: Never stop and go back - you must continue, you're an artist. So, you'll hear what I did in this place when I totally went "off the tracks". I actually liked it. It's also important to learn to laugh at your own mistakes instead of trying to justify yourself in front of others, blaming the piano, bad weather or anything in the world. Avoid making a mistake, but if you do - learn from it, take the responsibility and laugh, it'll be less stress after all. Well, this is my pyrotechnic way of making big errors in up-going passages, ha-ha:
A wavery and bubbling right hand passages lead by the left hand's thematic line. It all ends up in stringendo and later in precipitato:
Stretta quasi Presto that is very staccato and with the rising speed:
The last loud culmination in this piece - Prestissimo that ends with tremolando and is followed by a long rest:
Allegro moderato and then the last passing of the main theme in Lento assai are the "end credits" of intense 30-minute drama: